March 13, 2026
A 30-person wedding in a beautiful, crumbling ballroom on the Oregon coast — because not every love story needs a grand entrance.

There’s a specific kind of couple who hears “historic ruins” and thinks: yes. Exactly that. That was Emma and Jordan.
They didn’t want a venue that would make everyone stand at attention. They wanted somewhere that already felt lived-in, layered, a little imperfect — somewhere that matched how they actually love each other. When they first described what they were looking for, they said: “We want it to feel like we got lost somewhere beautiful.”
The Ruins at the Astor, tucked inside the Astoria, Oregon waterfront, was their answer.



The Ruins at the Astor isn’t a manufactured aesthetic. It’s an actual former hotel ballroom that has aged into something genuinely beautiful, if somewhat a little dangerous— exposed brick, peeling plaster that looks deliberate, arched windows with soft northern light. And ancient floors upstairs that creak with every step. It holds about 30 people comfortably for an intimate ceremony, which is exactly how Emma and Jordan wanted it.
For couples who are tired of venues that feel like stage sets, this place is different. The texture is real. The atmosphere is already there — you’re not building it with florals and uplighting, you’re working with something that already has a pulse.

And for a photographer, it’s quietly extraordinary. The light that comes through those old windows in the late afternoon doesn’t need any help. It just falls.






Emma got ready a few blocks away at a rented Airbnb with her three closest friends and her mom. No sprawling bridal suite, no 14-person hair and makeup queue — just the four people she actually wanted around her, a pot of coffee, and a lot of laughing.
Jordan was already at the Ruins when we arrived. He’d helped set up the morning of — arranging the beeswax candles, adjusting the mismatched vintage chairs they’d sourced from estate sales in the Gorge. He wasn’t nervous. He was just ready.
The ceremony was officiated by their college roommate, who had apparently never officiated anything before and wrote vows for them that made every single person in that room cry. 30 people in a room is different than 200. You can hear every word. You can watch every face.

After the ceremony, they walked down to the Columbia River waterfront for portraits while their guests drank wine and ate charcuterie back at the Ruins. No grand send-off. No elaborate timeline. Just a couple walking through a small town on the Oregon coast like they belonged there — because in some way, they did.
Their photographer (that was us) shot the whole day playing off the light that came in through the old windows. Old-film style.
There was no DJ. No wedding party entrance. No bouquet toss. They had a playlist on a Bluetooth speaker. The food came from a local Astoria restaurant that usually doesn’t cater but made an exception because the owner knew Jordan’s family.
It was a wedding made entirely of people who meant something to them. Every single choice reflected that.







Here’s the thing about photographing a 30-person wedding in a space like the Ruins: I’m not managing a crowd. I’m watching a room. There’s a difference.
When there are 200 guests, we’re always tracking — who’s about to cry, where the light is shifting, when the dancing is about to hit its peak. At an intimate wedding, everyone who’s important is right there. I can be quieter, we can slow down. I can actually see people.
Emma and Jordan’s guests were fully present. There were no plus-ones who didn’t really know them. No obligatory table of coworkers. Just 30 people who had earned their seat in that crumbling ballroom, and it showed in every image.
The photos from intimate weddings often surprise couples. They expect them to feel small. Instead, they feel full.






Astoria sits at the mouth of the Columbia River where it meets the Pacific, about two hours from Portland and 20 minutes from the Oregon coast. It’s the oldest American settlement west of the Rockies — which means it has actual history baked into its bones, not a manufactured Main Street charm.
The town is small, a little weird, deeply itself. The architecture is Victorian. The light is coastal — soft, diffused, flattering even on overcast days. There’s no grand resort infrastructure, which means couples who get married here are usually the ones who love the place for what it actually is.
Venues like the Ruins at the Astor, the Liberty Theater, and the historic Hotel Elliott give couples real architectural character without the price tag of destination venues in bigger markets.
If you’re considering Astoria for your wedding — and especially if you’re drawn to alternative, intimate, or elopement-style celebrations — this region is worth serious consideration. We photograph here regularly and genuinely love it.

We’re Hunter and Lindsey — a husband-and-wife photography team based in Vancouver, WA, and we’ve spent years photographing weddings across the Pacific Northwest. Small weddings are where we genuinely thrive. The intimacy, the slowness, the room to actually see people — it’s what we love most about this work.
If you’re planning something intentional, we’d love to hear about it. Reach out at thewickerts.photography and let’s talk.